Joking! No, I think many things happened to me very quickly. So how do you feel about your life journey so far?ĪT: Well, I feel like I’m sixty. And you’ve already been in a big Hollywood production, The Da Vinci Code. You’ve achieved such a huge amount of success in so little time. But I feel she just thinks that money and possessions will bring her happiness.ĭo you think women in general as they’re portrayed in movies, including your character, are a reflection of the sexist fantasies of male directors?ĪT: I never think about it, and I don’t really care about it, in fact. Now, I don’t think she’s like a prostitute or anything. Very sophisticated, and very elegant in their appearance, with their nails, their hair and their suntan. It’s easy to find those women in luxury hotels. You know, to seduce and allow yourself to be seduced.
What was your approach to playing Irene, whom you make seem much more complex than she is on the surface, and even somewhat sympathetic, even though she’s just after money?ĪT: I enjoyed playing this kind of woman, and being sexy and having those sorts of fantasies. And that you can’t buy love, and feelings. You know, you can’t afford this, it’s too expensive. Now isn’t the title Priceless different in French, and am I mistaken that something is lost in translation here?ĪT: Well, the title in French means, something that you can’t buy. And you can see that old, ugly guys can have these beautiful women. Because money changes everything in these relationships.
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So in other words, you see the interaction of sex, money and love in this movie as a class issue?ĪT: Yes, in a way. Like some guy is paying for their company, even though the women are more interested in their bank accounts. And from my point of view, that’s like modern sexual slavery. Okay…What are your thoughts about the way intimate relationships between men and women are depicted in Priceless?ĪT: Well, I think this is all about rich men and poor women, and how these women want to live in that luxury universe. So it was nice to discover my…femininity! And she’s very sexy, and likes to use her charms to manipulate guys. Why was Irene a character that captivated you, and that you wanted to portray?ĪUDREY TAUTOU: This was a chance for me to play someone I hadn’t played before, so it was strange and fascinating for me. And its insights into the many ways that money corrupts and dehumanizes emotionally and psychologically, is a sobering reflection on what constitutes genuine fulfillment, and compromised values today.Īudrey Tautou telephoned from Paris to talk about getting a chance to play sexy and naughty in Priceless, immersing herself in kinky fantasies to get into character, and those dress for material success fashion statements she flaunts as man bait in the movie.
Priceless is quite an impressive gem of a movie, however tarnished the flawed protagonists.
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And though both find themselves rich, older lovers, with Jean picking up a pointer or two from Irene on how to use sex to milk women for material gain, there’s remorse, redemption and plenty of surprising found love to go around in the end. When Jean is outed by the housekeeping staff and she’s tossed out by her boyfriend for her sexual indiscretion, an infuriated Irene takes off for another town on the hunt for a new sugar daddy, and a hopelessly infatuated Jean follows not far behind.
Even going so far as to arrange a tryst with Irene behind her boyfriend’s back, in the currently unoccupied, most expensive luxury suite. In no way wanting to disillusion this luscious hottie, Jean feeds her fantasy of him as another man with lots of money to target and seduce. That is, as gold-digging femme fatale Irene, in pursuit of usually elderly and definitely filthy rich men, in order to support for obsessively calculated extravagant and flamboyant materialistic lifestyle.ĭuring a stay at a luxury hotel with her current aging lover, Irene by chance encounters Jean (Gad Elmaleh), a bartender there whom she mistakes for a guest. Fresh from her stint as a spiritual sleuth of sorts in Ron Howard’s The Da Vinci Code, petite and perky actress Audrey Tautou turns up in a different sort of investigative mode, in the tangy French confection, Priceless (Hors de Prix).
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